When his own daughter falls ill, his main worries are not for her health but for what the town will think of him if they suspect there is witchcraft in his home. In Act 3, when Mary Warren testifies that she and the girls were only ever pretending to be affected by witchcraft, Parris pushes her statement aside—he would rather continue the trials than deal with the scandal of his daughter and niece being known as liars.
Parris is also motivated by selfishness, though he camouflages his actions with a facade of holiness. For example, he once wanted his church to have gold candlesticks. Therefore, according to John Proctor , the reverend preached only about the candlesticks until he attained them.
Hidden Vengeance in "The Crucible"
In addition, Proctor once mentions that Salem's previous ministers never owned property. Parris, on the other hand, demands to have the deed to his home. This is a power play as well, as he fears that the residents may cast him out of the town and, therefore, wants an official claim to his property.
Tragedies depict the downfall of the protagonist due to a central flaw, or hamartia, that they possess. Tragedies usually result in the death of the protagonist, and sometimes others.
- An Outline of Informational Genetics.
- The Spirit of Terrorism, New Revised Edition;
- Dragon Tears!
- Ozu and the Poetics of Cinema.
In The Crucible , the common flaw is pride a concern with reputation. For example, many of the characters are overly concerned with their own reputations, or those of their neighbours, leading to the collapse of the Salem community and the deaths of many of its members. The Crucible is a four-act tragedy interspersed with essays that define the setting and characters.
The Guilty Characters in Miller's The Crucible Essay | Bartleby
These compositional choices shape the meaning that the audience can draw from the text. Miller uses the essays to carefully shape your perspective of the characters. This allows the actors and directors to develop a particular reading of them and the text i. Miller has chosen to represent the historical events of Salem, Massachusetts and comment on the events of America during the House Un-American Committee Hearings.
What does this mean? They may also consider the role of storytelling throughout time to express and reflect particular lives and cultures.
A good idea is to structure your notes into a table where you can compile these ideas and the evidence you feel supports them:. Her imperative Tone is important because she is challenging the power of Danforth, the most important and powerful man in Salem. Research Papers words 2.
The play was set in , in a small, American village called Salem. As Salem was governed by a Theocracy, the whole village was extremely religious. Free Essays words 4. The word 'crucible' is used by Arthur Miller in his play as a metaphor. The first definition of the word crucible is: a melting pot especially for metals. In the play this is first acknowledged during the first act, as we gradually piece together the information concerning the girls dancing. The 'kettle' viewed by Reverend Parris mirrors a crucible. We are told that the girls had made a brew which contained a little frog and blood is therefore viewed by the characters involved as a potent, fearsome mixture and this signifies the beginning of the Salem tragedy Research Papers words 6.
Reverend Parris fears losing his job, Abigail fears prosecution and losing John Proctor, and Tituba fears physical retribution. Fear induces people to defend their personal whims and use their power to harm others. It was written by Arthur Miller as an allegory of the McCarthyism era.
The Crucible By Arthur Miller
It talks of the causes and effects of the Salem witch trials in the late 's. The story is told in a way that made the people of the 50's realize how crazy they were actually acting. In , two Rwandan tribes were fighting each other to the death. One was called the Tutsi tribe and the other was the Hutu tribe.
These clans differed only slightly. The Tutsi were taller, had darker skin, and wider noses